Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Mary Cassatt 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
49886 Mary readinf for her grandchildren Mary Cassatt Mary readinf for her grandchildren mk205 1880 Oil on canvas 55.9x100.3cm
49798 Matador Mary Cassatt Matador mk205 1873 Oil on canvas 81.6x64cm
58335 Maternal Kiss Mary Cassatt Maternal Kiss Maternal Kiss, 1896, Philadelphia Museum of Art
58332 Maternite Mary Cassatt Maternite Maternite, 1890,
68459 Miss Mary Ellison Mary Cassatt Miss Mary Ellison Miss Mary Ellison (1880, Mary Cassatt) located inside the National Gallery of Art's West Building in Washington, D.C. June 10, 2010
70946 Miss Mary Ellison Mary Cassatt Miss Mary Ellison Miss Mary Ellison
67759 moder och barn Mary Cassatt moder och barn 1905 se
49811 Mothe helping children a bath Mary Cassatt Mothe helping children a bath mk205 1880 Oil on canvas 100.4x65.4cm
3174 Mother About to Wash her Sleepy Child Mary Cassatt Mother About to Wash her Sleepy Child 1880
54458 Mother about to wash her sleepy child Mary Cassatt Mother about to wash her sleepy child mk235 1880 Oil on canvas 100.5x65.4cm
49873 Mother and son Mary Cassatt Mother and son mk205 about 1905 Oil on canvas 92.1x73.7cm
81054 Mother and Child Mary Cassatt Mother and Child Date 1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cjr
85085 Mother and Child Mary Cassatt Mother and Child 1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cyf
3129 Mother and Child gvv Mary Cassatt Mother and Child gvv 1888 Art Institute of Chicago
3148 Mother and Child jjjj Mary Cassatt Mother and Child jjjj 1901
3161 Mother and Child vgvgv Mary Cassatt Mother and Child vgvgv 1901 The Metropolitan Museum of Art, New York
3149 Mother and Child vvv Mary Cassatt Mother and Child vvv 1901
3168 Mother and Child against a Green Background Mary Cassatt Mother and Child against a Green Background 1897
49869 Mother and children Mary Cassatt Mother and children mk205 about 1905 Oil on cnavas diameter 95.2cm
50575 Mother and her child Mary Cassatt Mother and her child mk212 1891-92 Oil on canvas 73.7x60.3cm
49879 Mother and her children Mary Cassatt Mother and her children mk205 1913 oil on canvas 109.3x85.1cm
42081 Mother and Son Mary Cassatt Mother and Son mk166 1901 I Wave on cloth 81x70.6cm Metropolitan Museum of Art, New York
49830 Mother and son Mary Cassatt Mother and son mk205 about 1889 Oil on canvas 73.7x59.7cm
49850 Mother and son Mary Cassatt Mother and son mk205 1896-1897 Oil on canvas 55.2x43cm
49851 Mother and son Mary Cassatt Mother and son mk205 1897 Oil on canvas 60.3x71.7cm
49852 Mother and son Mary Cassatt Mother and son mk205 about 1897 Oil on canvas 64.8x80cm
49855 Mother and son Mary Cassatt Mother and son mk205 about 1899 Oil on canvas 81.6x65.7cm
49861 Mother and son Mary Cassatt Mother and son mk205 1900 Oil on canvas 71x59cm
49881 Mother and son Mary Cassatt Mother and son mk205 1914 Oil on canvas 81.2x65cm
49891 Mother and son in the boat Mary Cassatt Mother and son in the boat mk205 1910 Oil on canvas 98.7x129cm
3169 Mother Berthe Holding her Baby Mary Cassatt Mother Berthe Holding her Baby 1900
58313 Mother Combing her Child Hair Mary Cassatt Mother Combing her Child Hair Mother Combing her Child's Hair, 1879, Brooklyn Museum
49854 Mother doing up daughter-s hair Mary Cassatt Mother doing up daughter-s hair mk205 about 1898 Oil on tempera 63.9x80cm
49831 Mother holding the kid Mary Cassatt Mother holding the kid mk205 1890 Oil on canvas 81.5x65.5cm
3186 Mrs Duffee Seated on a Striped Sofa, Reading Mary Cassatt Mrs Duffee Seated on a Striped Sofa, Reading 1876
58334 Nurse Reading to a Little Girl Mary Cassatt Nurse Reading to a Little Girl Nurse Reading to a Little Girl, 1895, Metropolitan Museum of Art
3191 Offering the Panal to the Toreador Mary Cassatt Offering the Panal to the Toreador 1872-73
3193 On the Balcony Mary Cassatt On the Balcony 1873
54462 On the Meadow Mary Cassatt On the Meadow mk235 1880 Oil on canvas 54x65cm
49883 People Picking up the flower at the field Mary Cassatt People Picking up the flower at the field mk205 about 1875 Oil on board 26.6x34.3cm
3138 Portrait of a Woman gg Mary Cassatt Portrait of a Woman gg 1890 Canajoharie Library & Art Gallery, New York
49856 Portrait of Alan Mary Cassatt Portrait of Alan mk205 about 1899 22.5x20.5cm
49800 Portrait of artist Mary Cassatt Portrait of artist mk205 1878 oil on tempera 60x44.5cm
49829 Portrait of Catherine Mary Cassatt Portrait of Catherine mk205 circa 1889 Oil on canvas 96.5x68.5cm
49876 Portrait of Kelike Mary Cassatt Portrait of Kelike mk205 1910 Oil on canvas 66x52cm
49848 Portrait of the lady Mary Cassatt Portrait of the lady mk205 1896 Oil on canvas 73.6x61cm
49821 Portrait of the old wives Mary Cassatt Portrait of the old wives mk205 circa 1883 Oil on canvas 73x60.3cm
49890 Reading Mary Cassatt Reading mk205 about 1901 Oil on canvas 56.5x112.4cm
54461 Reading Mary Cassatt Reading mk235 1883 Oil on canvas
3187 Reading Le Figaro Mary Cassatt Reading Le Figaro 1878
49801 Reading the book Mary Cassatt Reading the book mk205 1877 Oil on tempera 81.2x64.7cm
3139 Reine Leaning Over Margot's Shoulder Mary Cassatt Reine Leaning Over Margot's Shoulder 1902
54505 Reine Lefebvre and Margot Mary Cassatt Reine Lefebvre and Margot mk235 c.1902 Oil on canvas
3158 Sara Handing a Toy to the Baby Mary Cassatt Sara Handing a Toy to the Baby 1901 Hill-Stead Museum, Farmington CT
58336 Sara Holding a Cat Mary Cassatt Sara Holding a Cat Sara Holding a Cat, 1908,
92329 Sara mit einem dunklen Haubchen Mary Cassatt Sara mit einem dunklen Haubchen 1901(1901) Medium oil on canvas Dimensions 67.2 X 56.2 cm (26.5 X 22.1 in) cjr
49828 Sarah wearing the hat and seeing left Mary Cassatt Sarah wearing the hat and seeing left mk205 1901 Oil on canvas 46.3x38.7cm
27067 Self-Portrait Mary Cassatt Self-Portrait mk52 1880 Watercolour on paper 33x24.4cm National Portrait Gallery,Washington DC
49817 Self-Portrait Mary Cassatt Self-Portrait mk205 1880 Oil on canvas 33x24.4cm
3179 Self-Portrait bbnb Mary Cassatt Self-Portrait bbnb 1878
49878 sewing class Mary Cassatt sewing class mk205 1913 Oil on canvas 76.5x64.8cm
11420 Sewing Woman Mary Cassatt Sewing Woman ca. 1880 -1882 3' x 2' 1''(92 x 63 cm)Gift of Antonin Personnaz,1937
49880 Sleeping deeply Child Mary Cassatt Sleeping deeply Child mk205 about 1910 Oil on canvas 64.7x52cm
49871 Study of Mother and kid Mary Cassatt Study of Mother and kid mk205 about 1905 Oil on canvas 92.7x73.5cm
49872 Study of Zeny and her child Mary Cassatt Study of Zeny and her child mk205 about 1906 Oil on canvas 89x75cm
49845 Summer times Mary Cassatt Summer times mk205 1894 Oil on canvas 73.4x100.3cm
3157 Summertime Mary Cassatt Summertime 1894
54489 Summertime Mary Cassatt Summertime mk235 1894 Oil on canvas 73.4x100cm
58305 Summertime Mary Cassatt Summertime Summertime, c. 1894, oil on canvas
3146 Susan Comforting the Baby Mary Cassatt Susan Comforting the Baby   
93251 Susan Comforting the Baby No. 1 Mary Cassatt Susan Comforting the Baby No. 1 c. 1881 Medium oil on canvas Dimensions 17" x 23" cjr
49812 Susan hoding the dog in balcony Mary Cassatt Susan hoding the dog in balcony mk205 circa 1880 Oil on canvas 100.3x64.7cm
49814 Susan is take care of the kid Mary Cassatt Susan is take care of the kid mk205 about 1881 Oil on canvas 65x100cm
54503 Susan on a Balcony Holding a Dog Mary Cassatt Susan on a Balcony Holding a Dog mk235 1883 Oil on canvas
58303 Tea by Mary Cassatt Mary Cassatt Tea by Mary Cassatt Tea by Mary Cassatt, 1880, oil on canvas, 25 1/2 x 36 1/4 in., Museum of Fine Arts, Boston
49842 The Baby Reaching for the apple Mary Cassatt The Baby Reaching for the apple mk205 1893 Oil on canvas 100.3x65.4cm
3147 The Bath Mary Cassatt The Bath   
30864 The Bath Mary Cassatt The Bath mk68 Oil on canvas Chicago,Art Institute of Chicago 1892 France
58306 The Bath by Mary Cassatt Mary Cassatt The Bath by Mary Cassatt The Child's Bath (The Bath) by Mary Cassatt, 1893, oil on canvas, Art Institute of Chicago
3165 The Boating Party Mary Cassatt The Boating Party 1893-94 The National Gallery of Art, Washington DC
40836 The Boating Party Mary Cassatt The Boating Party mk156 1893-1894 Oil on canvas 90x117.3cm
54490 The Boating Party Mary Cassatt The Boating Party mk235 c.1893/94 Oil on canvas 90x117cm
21598 The Boating Party (mk09) Mary Cassatt The Boating Party (mk09) c 1893/94 Oil on canvas,90 x 117 cm Washington,National Gallery of Art
34035 The Boating Patty Mary Cassatt The Boating Patty mk87 c.1893/94 Oil on canvas 90x117cm Washington,National Gallery of Art
3132 The Caress Mary Cassatt The Caress 1891
31883 The Child's Bath Mary Cassatt The Child's Bath mk77 1893 Oil on canvas 39 1/2x26in
72332 The Child's Bath Mary Cassatt The Child's Bath "The Child's Bath," oil on canvas, by the American artist Mary Cassatt. 39 1/2 in. x 26 in. Courtesy of the Art Institute of Chicago, Chicago, Illinois. 1893(1893) cjr
80866 The Child's Caress Mary Cassatt The Child's Caress Date ca. 1890(1890) Medium Oil on canvas cjr
84827 The Child's Caress Mary Cassatt The Child's Caress 1890(1890) Medium Oil on canvas cyf
95169 The Childs Bath Mary Cassatt The Childs Bath 1893 Type Oil on canvas Dimensions 100.3 cm x 66.1 cm cyf
3164 The Cup of Tea Mary Cassatt The Cup of Tea 1880 Museum of Fine Arts, Boston
3184 The Cup of Tea 1 Mary Cassatt The Cup of Tea 1 1880
3159 The Family Mary Cassatt The Family 1892 The Chrysler Museum, Norfolk
3133 The Fitting Mary Cassatt The Fitting 1890-91 National Gallery of Art, Washington DC
49823 The girl do up her hair Mary Cassatt The girl do up her hair mk205 1886 Oil on canvas 75.2x62.5cm
50560 The girl do up her hair Mary Cassatt The girl do up her hair mk212 1886 Oil on canvas 75.2x62.5cm
49865 The girl holding the baby Mary Cassatt The girl holding the baby mk205 1902 Oil on canvas 68.3x57.1cm
49862 The girl holding the dog Mary Cassatt The girl holding the dog mk205 about 1901 Oil on canvas 64.7x49.5cm
49863 The girl holding the dog Mary Cassatt The girl holding the dog mk205 about 1901 Oil on tempera 72.7x59.6cm
49875 The girl holding the dog Mary Cassatt The girl holding the dog mk205 about 1908 Oil on canvas 64.2x53.3cm
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Mary Cassatt
1844-1926 Mary Cassatt Galleries Within months of her return to Europe in the autumn of 1871, Cassatt??s prospects had brightened. Her painting Two Women Throwing Flowers During Carnival was well received in the Salon of 1872, and was purchased. She attracted much favorable notice in Parma and was supported and encouraged by the art community there: ??All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her??. After completing her commission for the archbishop, Cassatt traveled to Madrid and Seville, where she painted a group of paintings of Spanish subjects, including Spanish Dancer Wearing a Lace Mantilla (1873, in the National Museum of American Art, Smithsonian Institution). In 1874, she made the decision to take up residence in France. She was joined by her sister Lydia who shared an apartment with her. Cassatt continued to express criticism of the politics of the Salon and the conventional taste that prevailed there. She was blunt in her comments, as reported by Sartain, who wrote: ??she is entirely too slashing, snubs all modern art, disdains the Salon pictures of Cabanel, Bonnat, all the names we are used to revere??. Cassatt saw that works by female artists were often dismissed with contempt unless the artist had a friend or protector on the jury, and she would not flirt with jurors to curry favor. Her cynicism grew when one of the two pictures she submitted in 1875 was refused by the jury, only to be accepted the following year after she darkened the background. She had quarrels with Sartain, who thought Cassatt too outspoken and self-centered, and eventually they parted. Out of her distress and self-criticism, Cassatt decided that she needed to move away from genre paintings and onto more fashionable subjects, in order to attract portrait commissions from American socialites abroad, but that attempt bore little fruit at first. In 1877, both her entries were rejected, and for the first time in seven years she had no works in the Salon. At this low point in her career she was invited by Edgar Degas to show her works with the Impressionists, a group that had begun their own series of independent exhibitions in 1874 with much attendant notoriety. The Impressionists (also known as the ??Independents?? or ??Intransigents??) had no formal manifesto and varied considerably in subject matter and technique. They tended to prefer open air painting and the application of vibrant color in separate strokes with little pre-mixing, which allows the eye to merge the results in an ??impressionistic?? manner. The Impressionists had been receiving the wrath of the critics for several years. Henry Bacon, a friend of the Cassatts, thought that the Impressionists were so radical that they were ??afflicted with some hitherto unknown disease of the eye??. They already had one female member, artist Berthe Morisot, who became Cassatt??s friend and colleague. Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvasCassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." She accepted Degas' invitation with enthusiasm, and began preparing paintings for the next Impressionist show, planned for 1878, which (after a postponement because of the World??s Fair) took place on April 10, 1879. She felt comfortable with the Impressionists and joined their cause enthusiastically, declaring: ??we are carrying on a despairing fight & need all our forces??. Unable to attend cafes with them without attracting unfavorable attention, she met with them privately and at exhibitions. She now hoped for commercial success selling paintings to the sophisticated Parisians who preferred the avant-garde. Her style had gained a new spontaneity during the intervening two years. Previously a studio-bound artist, she had adopted the practice of carrying a sketchbook with her while out-of-doors or at the theater, and recording the scenes she saw. Summertime, c. 1894, oil on canvasIn 1877, Cassatt was joined in Paris by her father and mother, who returned with her sister Lydia. Mary valued their companionship, as neither she nor Lydia had married. Mary had decided early in life that marriage would be incompatible with her career. Lydia, who was frequently painted by her sister, suffered from recurrent bouts of illness, and her death in 1882 left Cassatt temporarily unable to work. Cassatt??s father insisted that her studio and supplies be covered by her sales, which were still meager. Afraid of having to paint ??potboilers?? to make ends meet, Cassatt applied herself to produce some quality paintings for the next Impressionist exhibition. Three of her most accomplished works from 1878 were Portrait of the Artist (self-portrait), Little Girl in a Blue Armchair, and Reading Le Figaro (portrait of her mother). Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence. The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and C??zanne, who were attempting once again to gain recognition at the Salon. Through the efforts of Gustave Caillebotte, who organized and underwrote the show, the group made a profit and sold many works, although the criticism continued as harsh as ever. The Revue des Deux Mondes wrote, ??M. Degas and Mlle. Cassatt are, nevertheless, the only artists who distinguish themselves??and who offer some attraction and some excuse in the pretentious show of window dressing and infantile daubing??. Cassatt displayed eleven works, including La Loge. Although critics claimed that Cassatt??s colors were too bright and that her portraits were too accurate to be flattering to the subjects, her work was not savaged as was Monet's, whose circumstances were the most desperate of all the Impressionists at that time. She used her share of the profits to purchase a work by Degas and one by Monet. She exhibited in the Impressionist Exhibitions that followed in 1880 and 1881, and she remained an active member of the Impressionist circle until 1886. In 1886, Cassatt provided two paintings for the first Impressionist exhibition in the United States, organized by art dealer Paul Durand-Ruel. Her friend Louisine Elder married Harry Havemeyer in 1883, and with Cassatt as advisor, the couple began collecting the Impressionists on a grand scale. Much of their vast collection is now in the Metropolitan Museum of Art in New York City. She also made several portraits of family members during that period, of which Portrait of Alexander Cassatt and His Son Robert Kelso (1885) is one of her best regarded. Cassatt??s style then evolved, and she moved away from Impressionism to a simpler, more straightforward approach. She began to exhibit her works in New York galleries as well. After 1886, Cassatt no longer identified herself with any art movement and experimented with a variety of techniques.
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